|Forlag||University of Delaware Press|
|Emne||English; Literary studies: c 1500 to c 1800; Literary studies: fiction, novelists & prose writers; Literary studies: general; United Kingdom, Great Britain|
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Om Hey Presto!
Traveling 'medicine shows,' both ancient and modern, galvanized Jonathan Swift's imagination. Dubbing such multifaceted vagabond entertainments his 'Stage-Itinerant' or 'Mountebank's Stage,' Swift mimicked their argot, puffery, and slapstick in A Tale of a Tub (1704). Hugh Ormsby-Lennon reveals how the stage-itinerant not only furnished the Tale with its irresistible model but still parades that missing link, long sought, which conjoins the dual objects of Swift's ire: 'gross Corruptions in [both] Religion and Learning.'