Tactus, Mensuration and Rhythm in Renais

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Ruth DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c. 1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to…

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    Om Tactus

    Ruth DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c. 1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists. In the first part, DeFord presents the theoretical evidence, introduces the manuscript sources and explains the contradictions and ambiguities in tactus theory. The second part uses theory to analyse some of the best known repertories of Renaissance music, including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore, and to shed light on composers' formal and expressive uses of rhythm. DeFord's conclusions have important implications for our understanding of rhythm and for the analysis, editing, and performance of music during the Renaissance period.

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    Detaljer

    Format
    E-Bok
    Kopisperre
    Teknisk DRM
    Filformat
    PDF
    Utgivelsesår
    2015
    Forlag
    Cambridge University Press
    Språk
    Engelsk
    ISBN
    9781316255650

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