[Consumed] is a tender memoir of sisterhood, of growing up in a low-income immigrant family in Primrose Hill in the 1970s and 1980s and, above all, of family dysfunction, mental illness, grief and survival . . . Akbar sews many disparate strands into a work of art. If her moving, engrossing, elegantly written memoir does not win prizes, there really is no justice in the literary world.

An insightful and often lyrical study of sibling and the story of a troubled life cut short . . . as Fauzia immortalised her sister in art, [Akbar] has done the same, vividly and wonderfully, in prose.

One of this year's must-read memoirs . . . A rich and beautiful story that will at times leave you weeping while simultaneously hugging Akbar's writing close.

'Consumed is Akbar's poised and scholarly memoir; her sister and their relationship is at its heart, skilfully woven together with a cultural history of the disease that killed her . . . A moving story of loss, grief and sisterhood.

An engrossing and moving book, both forensic and delicate in its dredging of complicated truths . . . I have rarely read a memoir with such a combination of powerful, tender feeling and cool-headed analysis. Rather like Fauzia's embroideries, the tapestry of sisterly passion and pain is worked here in precise, gleaming little stitches: a literary labour of love.

A beautifully written memoir with the ghost of Fauzia haunting every page.

A meditation on memory and the arts, the book also explores Arifa's often fraught relationship with her sister, her grief, and the inherent subjectivity of memory . . . I was profoundly moved by this book, thinking of particular passages long after reading it.