With one essay for every president in American history, Colin Rafferty's Execute the Office uses lyric prose and formal invention to explore the humanity, or lack thereof, that thrived in each of these powerful individuals. Whether celebrated for infamous deeds and heroism, or forgotten as placeholders in the annals of America, too often presidents are commemorated by the sterility of simple fact. However, non-fiction contains life, and Execute the Office seeks to balance both halves of the creative nonfiction genre by writing essays that are invested as much in lyrical writing and experimental forms as they are with factual accuracy. To balance these factions, Execute the Office uses constraint, metaphor, allusion, and epiphany to explore not just the facts and artifacts of history, but describe the connections between the facts and human nature in thought-provoking and inventive ways. These essays discuss the modes in which we remember through death songs, footnotes, infinite rooms, evacuation routes, and nomenclatures. While diverse in scope, each essay stimulates thought and engagement and will resonate in everyone, from the student of history to the individuals attempting to do and to be better, whether they have failed, have succeeded, been corrupted by, or currently strive in the pursuit of those attempts. Execute the Office contains histories in unusual objects. While unfamiliar at first, they soon become distinct, unforgettable, profound.