Independent Chinese Documentary Cinema
Av Muyun Liu, 2024.Del av serien East Asian Popular Culture.
Perspectives on Time and Ecological Phenomenology
This book explores the history of, and approaches to, documentary production within China from the Land Reform to the present day. It examines the institutionalisation of socialist realism during the PRC?s revolutionary era; considers the emergence of the fluid xianchang aesthetics and the creation of contingent subjectivities in relation to physicist Carlo Rovelli?s loop quantum gravity theory; explores two factory films through the angle of temporality; argues that time in the post-X era is multi-layered and can be experimented through a cinematic ruin aesthetics; and theorises ecological temporality in relation to Jean-Paul Sartre?s ontology on being as freedom and Caroline Godart?s analysis of difference.
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Independent Chinese Documentary Cinema
Av Muyun Liu, 2024.Del av serien East Asian Popular Culture.
Perspectives on Time and Ecological Phenomenology
This book explores the history of, and approaches to, documentary production within China from the Land Reform to the present day. It examines the institutionalisation of socialist realism during the PRC?s revolutionary era; considers the emergence of the fluid xianchang aesthetics and the creation of contingent subjectivities in relation to physicist Carlo Rovelli?s loop quantum gravity theory; explores two factory films through the angle of temporality; argues that time in the post-X era is multi-layered and can be experimented through a cinematic ruin aesthetics; and theorises ecological temporality in relation to Jean-Paul Sartre?s ontology on being as freedom and Caroline Godart?s analysis of difference.
Oppdag mer
Ikke tilgjengelig for Klikk&Hent
Midlertidig tomt på lager
Bestillingsvare. Forventes sendt om ca 20 dager
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