Putting a new spin on old histories as my ten year old daughter stands in for a youthful me—the one I remember and the one I was never quite allowed to be—"Stories, 1986–88" pairs deadpan portraits with short narrative texts to bring the past into the present as we relive and rewrite my childhood stories through a restorative approach to image-making and storytelling.
Putting a new spin on old histories as my ten year old daughter stands in for a youthful me—the one I remember and the one I was never quite allowed to be—"Stories, 1986–88" pairs deadpan portraits with short narrative texts to bring the past into the present as we relive and rewrite my childhood stories through a restorative approach to image-making and storytelling.