What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field today, as historical and cultural modes
What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field today, as historical and cultural modes