This study delves into the Cuban project Diáspora(s) and the magazine of the same name, which circulated in Havana from 1997 to 2002 by way of samizdat techniques. Taking a mixed-methods approach, it views Diáspora(s) as a network, drawing out the synergies between the social formation of the intellectual network, the magazine medium, and the transnational aesthetics developed by the project.