Through the analysis of six Spanish novels, one for each decade from the 1940s through the 1990s, Rodriguez proposes a new concept of the novel of feminine development and emphasizes the importance of the voicing of women's sentiments, passions, desires, and opinions that have not been expressed before in the literature of Spain. The study begins with Nada by Carmen Laforet, and continues with La playa de los locos by Elena Soriano, La placa del Diamant by Merce Rodoreda, two stories from Te dejo el mar by Carme Riera, Los perros de Hecate by Carmen Gomez Ojea, and Efectos secundarios by Luisa Etxenike.