This book takes a novel approach to theatrical adaptation, focusing not primarily on filmic adaptations but instead on modern drama based on older, classic playtexts. The specific focus of the book is the exploration of the new national setting given to the reworked version.  In exploring the way in which contemporary dramatists in England and Ireland represent a different national setting for their reworked adaptation, we can examine the specific social and political context for the new play, unearthing the cultural conditions at the time of the new setting.  In examining only plays that consciously relocate the national setting for their new work, we can also explore resonances between the two different national contexts, analysing cultural and political echoes as well as shifts both geographical and temporal.