Scholars generally consider the sequence ofdense, epigrammatic dizains that compriseMaurice Scève's lyric sequence Délie to be anearly example of French Renaissanceimitation of Petrarch's lyric poetry. WhilePetrarch's Canzoniere is an important sourcefor Scève's Délie, both works are part of along poetic lineage that includes Occitantroubadours. The book argues that the 'Petrarchan' label is problematic for Scève'sDélie, and reveals Dante Alighieri as arelevant predecessor and source.