A blazing mystery set in the colonial outback . . . The writing is tremendous . . . This is a beguiling novel, not just of ideas about history and place but of fiercely beautiful translations

A sensitive, slow-burn panorama of society in colonial Australia. Moving persuasively between a vast, impressively diverse array of characters, young and old, incoming and indigenous, privileged and deprived, she lets us listen in on their private (often competing) hopes and desires as the community pulls together to hunt for the boy. The result is moving and masterful - rich slices of life made vivid by the old-fashioned nitty-gritty of flesh-and blood character-making

Ambitious . . . McFarlane amplifies her theme in ways that are often touching and ingenious . . . its style is at once spare and attentive to detail, and Fiona McFarlane has a sharp eye for historical injustices

Gloriously orchestrated . . . kaleidoscopic . . . This book earns its place by the simultaneous seriousness and playfulness of its commitment to all the voices in the contested times and spaces of its setting. McFarlane knows what she's doing, and she does it exceptionally well

This novel is also made hypnotic by its wonderfully atmospheric dreaminess

McFarlane's treatment of the dust storm has a simple Steinbeckian majesty . . . Her prose is full of detail, comparable to Claire Keegan's keen-eyed novellas, Foster and Small Things Like These

In precise, often glorious prose, the novel affords each character, including little Denny, a rich interiority, even as the landscape itself - a terrain layered with significance and myth for aboriginal peoples, while for Europeans "civilization" there appears thin - provokes awe . . . With this remarkable novel, McFarlane establishes her place in the firmament of Australian letters, reworking and expanding the imaginary of its early years