A surprising parallel history of Scotland and British India, tied together by the pashmina shawl.

Seventeenth-century Kashmir was renowned for its beautiful pashmina shawls, woven from the fine, warm wool of the Tibetan mountain goat. Paisley was a provincial Scottish town where weavers produced plain cloth in homespun wool and flax. But by the 1800s, these Scottish artisans could imitate Kashmiri shawls so adeptly that their characteristic swirling colours and tear-drop motifs became known by a new name: ‘the Paisley pattern’.

Myra MacDonald traces the rise of Paisley’s handloom weavers through the British Empire and Industrial Revolution—and the corresponding slide in fortunes of their Kashmiri counterparts. While Scotland’s textile trade flourished, spurred by British economic growth and innovation, in Kashmir, foreign conquest and the relentless pursuit of pashm wool provoked political intrigue and war. Then, as the nineteenth century unfolded, handloom weavers on both continents found their fates unexpectedly united, as world-altering industrialisation trampled traditional handicrafts underfoot.

This is a riveting human story of empire, fashion and technology—and of the intertwined destinies of two peoples thousands of miles apart.