This collection of comparative critical and theoretical essays examines the reciprocal literary relationship between James Baldwin and Toni Morrison on topics ranging from their use of jazz and the blues, to their critiques of whiteness and their brilliant analyses of America's racial politics. In particular, the essays note those points of convergence and divergence between the two authors and also point to instances where one author signifies on the work of the other or takes up and expands a discussion where the other left off. Contributors range from well-established senior scholars, Trudier Harris and E. Frances White, to emerging international scholars, Anna Kerchy and Keren Omry.